- Target Muscle Group
- Exercise TypeStrength
- Equipment RequiredBarbell
- Force TypeHinge (Bilateral)
- Experience LevelAdvanced
- Secondary Muscles
Abs, Adductors, Calves, Forearms, Glutes, Lats, Lower Back, Quads, Traps, Upper Back
Reverse Band Deadlift Overview
The reverse band deadlift is a variation of the deadlift and an exercise used to strengthen the muscles of the legs, glutes, and back.
The use of bands when performing reverse band deadlift provides assistance while you’re at the bottom of the movement. This can be helpful if you’re trying to overload the top portion of the movement without fear of failing at your weaker part of the lift.
Reverse band deadlifts are primarily used by the powerlifting community, but can be used by any training population looking to improve their overall deadlift personal record.
Reverse Band Deadlift Instructions
- Once the bar has been loaded, attach bands to the top of the rack via pegs or the actual rack itself and then anchor the end of the bands around the bar to provide assistance.
- Position the bar over the top of your shoelaces and assume a hip width stance.
- Push your hips back and hinge forward until your torso is nearly parallel with the floor.
- Reach down and grasp the bar using a shoulder width, double overhand grip.
- Inhale and pull up slightly on the bar while allowing your hips to drop in a seesaw fashion. This phenomenon is commonly referred to as “pulling the slack out of the bar”.
- As you drop the hips and pull up on the bar, set the lats (imagine you’re trying to squeeze oranges in your armpits) and ensure your armpits are positioned directly over the bar.
- Drive through the whole foot and focus on pushing the floor away.
- Ensure the bar tracks in a straight line as you extend the knees and hips.
- Once you have locked out the hips, reverse the movement by pushing the hips back and hinging forward.
- Return the bar to the floor, reset, and repeat for the desired number of repetitions.
Reverse Band Deadlift Tips
- By adding bands to the bar you will allow yourself to overload the top half of the movement given that the bands will stretch most in the bottom and least at the top. This allows you to use a weight you might not be able to manage for a full repetition normally but given the assistance from the band, you are able to overload the lockout without getting stuck off the floor.
Ideally you would want to attach two bands across the bar using pegs on a deadlift platform or rack. However, if that option isn’t available, you can simply loop a single band around the end, stretch it underneath the plates, and then loop it around the other side.
- If that isn’t comfortable, you can also stand on one end of the band, wrap it around the bar, and step on the other end. This option is slightly more dangerous though as there is a good chance that the band might slide out from underneath your feet and present a potential injury risk. Again, this will depend upon the available equipment but ideally try to prioritize safety over everything.
- You MUST keep the crease of the armpit over the bar and the midfoot to allow the bar to travel linearly.
- The deadlift is a hinge, not a squat. If you set the hips too low you will put yourself in a disadvantageous position biomechanically and limit your potential for pulling maximal weights.
- To prevent the bar from drifting away from the body, one should focus on squeezing their lats to keep the bar close and allow it to travel in a linear fashion. Use the cue: “squeeze oranges in your armpits”, “put your shoulder blades in your back pockets” (i.e. scapular depression) or “imagine you’re doing a straight arm pulldown”.
- The hips should be lower than the shoulders and you should be able to see the logo on the lifter’s shirt before they pull (i.e. “chest up”). The chest up cue is usually accomplished when the lats become locked in though so this cue is typically not needed if the lifter understands how to initiate the lats.
Neck position is highly individual - Some prefer a neutral neck position (i.e. keeping the chin tucked throughout the lift) while others do well with looking slightly up. Here’s some factors to consider:
- If you’re someone who is more globally extended (i.e. athletic background), then you will likely be able to keep a neutral position more effectively by packing the chin.
- On the opposite end of the spectrum, if you tend to be more flexion dominant (especially in your thoracic spine - upper back) then it would behoove you to look up slightly as this will drive more extension.
- Experiment with each and see which one works best for your individual anatomy and biomechanics.
- Ideally you should cue and emphasize a vertical shin but this will depend entirely on a lifter’s spine and limb length.
- Toe angle is highly individual - this will be dependent upon your hip anatomy. Experiment (toes slightly in, out, or neutral) to see what feels best for you.
- Do NOT retract your shoulder blades. This is mechanically inefficient and a self limiting cue as it shortens the length of the arms thus requiring a larger range of motion.
- Make sure you wrap your thumbs around the bar and don’t utilize a false grip. Squeeze the bar as tight as possible like you’re trying to leave an imprint of your fingerprints on the bar.
- Scraping the shins isn’t always necessary in the deadlift. It may occur more frequently with sumo rather than conventional work but if you have the arm pits in the correct position (as noted above) then the bar should travel vertically and the shins will become vertical and move out of the way as the knees extend.
- If you focus on keeping the weight entirely on the heels, you won’t be able to effectively recruit your quads at the beginning of the lift and thus you’ll be slow off the flow. So, to combat this, you should focus on driving through the whole foot - you want 3 points of contact: big toe, little toe, and heel.
- Ensure the elbows stay locked out. Don’t actively flex the triceps but make sure that your elbow doesn’t break neutral as this can potentially put you at risk for a bicep tear under maximal weights.
- More experienced lifters may not need to emphasize the “pull the slack out the bar” cue as much and that’s perfectly fine if it works for them and still allows them to pull maximal weight but initially it’s an important concept to understand and implement.
- For single repetitions, it will be much easier to drop the bar from lockout (provided that it’s allowed and you’re lifting on a platform or with bumper plates) due to less eccentric loading upon your spinal erectors. However, for multiple repetitions you should try to lower the weight under control while not overly fatiguing the erectors.
The knees should be stacked over the feet. If you position the feet too wide (outside of hip width) then you will likely have to resort to one of two strategies:
- The knees will be pushed inward (valgus) due to your grip width.
- You will have to widen your grip which will require a larger range of motion and make the lift less efficient.
- If you find that you’re weak at lockout, you should incorporate rack pulls, RDLs, and/or pulls against chains or bands. On the opposite end of the spectrum however, if you’re weak off the floor, you should incorporate paused and/or deficit deadlifts. You would also need additional supplementary work for the upper back and glutes.